BioGraphic Novel Series: The 14th Dalai Lama by Tetsu Saiwai

"Children are our most precious treasure.  If well-informed and educated, they can preserve Tibetan culture and further develop it for a hopeful future." 

The 14th Dalai Lama is exactly the type of book which inspired me to specialize, as a librarian, in literature for young people, and the type of book which continues to keep me inspired in this field.  Who could not be thrilled with the opportunity to introduce the world's future generations to such a visionary world figure, presented in such an artistic and engaging manner?  

The 14th Dalai Lama is a product of an independent Japanese manga studio called Emotional Content, which is producing a series of high-quality manga biographies about people the founder considers to be the true superheros of our world, people such as Ghandi, Mother Teresa, and Che Guevara.  Emotional Content's founder, Eiji Han Shimizu, believes that "we can learn the value of compassion, history and philosophy through manga", and considers Emotional Content's manga biographies to be one of Japan's contributions to global political and philosophical discourse. 

This book focuses on the Dalai Lama's early years, from his early childhood until his mid-twenties. These were the primary years of his training in the philosophies of Tibetan Buddhism, and were also the years of China's invasion of Tibet, with all of its attendant political ramifications.  We see the beginning of the Dalai Lama's steadfast maintenance of a philosophy of non-violence, even under extreme political duress.  We also see the passionate love for his country and culture that he has also maintained, even in exile.  This extraordinary childhood and young adulthood is shown vividly and dramatically, and is sure to fascinate young readers interested in peace, spirituality,  world politics, or the lives of great men.

Resistance Book 1 by Carla Jablonski and Leland Purvis

First off, I'm really intrigued by this cover art.  I think it sets us up brilliantly for what's to come. At first glance the cover seems comical, like a political cartoon--a faceless Nazi, all unknowing, about to get bonked on the helmet by some impish child's toy slingshot.  But a full view (the art wraps around the back) shows us Paul Tessier, one of the child protagonists of Resistance, getting ready to release the slingshot, a look of ferocious determination on his face.  His grim expression immediately sombers the mood of the image, recalling us to the truth--Paul may have a slingshot, but his target has a gun and won't hesitate to use it.  He may be the biblical David to the Nazi Goliath, but the odds are heavily weighted against him.  Resistance may cost Paul his life.

Resistance Book 1 is the first of a trilogy of graphic books for children set in France during the Nazi occupation.  It centres around Paul and Marie Tessier, young siblings whose father is being held as a prisoner of war by the German army.  When their Jewish friend Henri's parents are taken by the Nazis while he happens to be away from home, they conspire to hide him in the wine cellars of their family's vineyards.  When Paul discovers that their farmhand Jacques is a member of a resistance group, he begs to join, and the group decides that Paul and Marie's youth might be an asset.  The two children and their older sister end up taking a terrifying journey to Paris to reunite Henri with his rescued parents.

Resistance is a thoughtful book that reads fluidly and is full of telling detail.  From the paranoid secrecy of the time to the squabbles brought on by fear and tension, it's all very believable.  Paul is an artist, and his sketchbook gives us additional insight into his feelings as the story progresses. The author's note at the end reminds us not to make hasty judgments.

" Living in a country that has never been occupied...it is hard to imagine the pressures people faced.  These pressures were both external (physical threats, lack of food, disappearing neighbours) and internal (fear, family loyalty, national pride, belief systems) and they influenced the choices people made.  What seems obvious to us now was probably not at all obvious to anyone then...Each French citizen...had their own story, their own personal concerns to weigh, risks to assess with no idea of how things would turn out, or even what the next day would bring.  Sometimes [their] choices were regrettable, sometimes noble.  All were difficult."


Defiance, the second book in the Resistance trilogy, is coming out July 2011.

You by Charles Benoit

"When I started You,  I knew I wanted a book that had a WTF? ending (that stands for Wild, Thought-provoking Finish).  I wanted readers to be, shall we say, uncomfortable with how it ends.  I wanted them to get involved and figure it all out. That was the goal--to what degree I hit it is up to the reader."
Charles Benoit 

Well, I think Mr. Benoit definitely hit the bulls-eye.

  You is an unusual book in several ways.  It's got massive reluctant-reader appeal, with its gripping opening ("You're surprised at all the blood"), tight pacing and adroit suspense.  It reminds me a lot of Gentlemen, which I reviewed back in 2010. Like Gentlemen, You has a punchy literary style, draws readers into the narration with an urgency I would call relentless, and generates questions almost as fast as you can turn the pages.  In short, it's that oxymoronic, almost impossible thing, a challenging easy read. 

The highlight of this book for me  was the narrative voice.  Benoit has used a second-person narrative style, very unusual in teen fiction because it's so difficult to pull off well.  He pulls it off superbly, and as a result I found that my investment and interest in the main character, with all his faults, was strong.  The second-person voice also  lets Benoit pose his questions quite explicitly and directly to us, the reader, blasting us out of the voyeuristic passivity which readers can sometimes let themselves be lulled into.  You is in no way a passive read.

"Think.
When did it go wrong?
The break-in?
No, before that.
The party?
That was part of it, but that wasn't when it started.
Zack?
Of course, yeah, it would be easy to say it was Zack.  But that's not it, is it?"

Here's a link to Charles Benoit talking about You. Enjoy!

Picture Book Roundup: What Ewan and I Are Currently Laughing Our Heads Off At

A recent article in the New York Times remarks on the decline in picture book sales in 2010, and posits that parents are hurrying their kindergarten and grade 1 children into "big kid" or chapter books in order to prepare them for academia.  Not in our house, mister!  I love picture books (what's not to love?  They have PICTURES!), and I love reading them with Ewan, my book-devouring second grader.  And I don't for one second subscribe to the idea that picture books will dumb him down.  In fact, I believe that the use of humour in many picture books can be way more sophisticated than in chapter books, because the interplay between text and picture is so open to dramatic possibility.  And don't even get me started on vocabulary--a little soporific lettuce, anyone?  So, here's a roundup of some of the smart and funny picture books Ewan and I have been kicking back with this week. 

Let's start will Melanie Watt, shall we?  Have I Got a Book for You! is a hilarious spoof of pushy salespeople, particularly those on T.V. infomercials.  The whole story is the salesman trying to sell us the book.  Talk about meta-fiction.  It wouldn't work half as well without the pictures, which show us:
1)  exactly how satisfied Mr. Al Foxword's previous customers are,
2)  why we should buy Al's book RIGHT NOW!, and
3) what we can do with not one, but two of Al's awesome books (or how about 742 of them...to make the Book Fort you've always wanted!)

Ah, the delicious, ridiculous irony of it all....and by the way, gotta love that surprise on the last page!

Michael Ian Black's new book, A Pig Parade is a Terrible Idea, is kind of the opposite of Have I Got a Book For You!  This book assumes we're sold on a crazy idea ("Like most children, you have probably thought to yourself at one time or another, I bet a pig parade would be a lot of fun.") and goes to enormous lengths to persuade us of its potential for disaster.  Pigs don't march, they snuffle, and "snuffling is simply an inappropriate way to conduct yourself along a parade route.".  They won't wear those snappy majorette uniforms, and they prefer sad country ballads to "good, spirited marching-band music".   They also don't see the point of floats.  Even pig-themed floats.  And if you try explaining any of these things to a pig, "they just look at you as if you are speaking a language they do not understand."    Pictures showing pigs destroying marching band instruments and wreaking havoc with snappy majorette uniforms, never mind getting their snouts stuck in the used bubble gum on city sidewalks, clearly demonstrate that this writer knows what he's talking about. Ix-nay on the Pig Parade, already!

 
David Bruins and Hilary Leung's Ninja Cowboy Bear Presents the Way of the Ninja is a friendship story that illustrates what can happen when one member of a group  is more adventurous than the others. Ninja, cowboy and bear are friends.  "When they got together it usually led to merrymaking, buffoonery and hilarity."  But sometimes cowboy and bear are too sedate for rambunctious ninja.  When cowboy wants to paint, ninja wants to jump on beds.  When bear wants to pick flowers, ninja wants to climb trees and poke bee's nests.  To ninja, a swing isn't a swing, it's a launchpad.  Let's shoot for the stars!  But when cowboy and bear get hurt playing with ninja, he thinks they are poor sports.   How the spirited ninja learns to include his friends in  his wild play makes for a story that is both funny and sweet.

 And, last but definitely not least, Olivia Helps With Christmas.  As in all the Olivia books, the visuals are everything.  They show us every nuance of the drama, and with Olivia, we know there's got to be drama, yes?  The opening spread ('Twas the day before Christmas.  Olivia and her family had been out all morning, busy with last-minute shopping.  Olivia was exhausted, yet there was still so much to do.") features a picture of Olivia's Mom and Dad, juggling packages, trees and children but looking pretty spry, following a bedraggled, burnt-out Olivia, who, as Ewan delightedly points out, isn't carrying one single thing!    Christmas morning brings us a shot of Olivia and her two little brothers bounding downstairs, mouths open wide, beneath the dry line "noiselessly they crept down the stairs.".   My very favourite page is where we learn that "Some of Santa's offerings were better than others. Pajamas.  Skis!  Sweater.  Sled!  Booties.  Maracas!", with correspondingly glum and lively faces on the gift recipients.  Santas of the world, listen up:  sleds and maracas will trump pajamas and booties every time!   'Nuff said.

Keeper by Kathi Appelt

Kathi Appelt set a very high bar for herself with her previous novel The Underneath, a richly magical tale set in the Texas bayou, which was lauded as a modern classic reminiscent of Sounder and The Yearling.  In my opinion it was much more sophisticated than these older stories, although it did center similarly around the emotional lives of animals and their vulnerability to human interference.   Keeper, published this year, is an equally lovely but lighter story, maintaining the depth and mystery of The Underneath but conjuring up a tone of poignancy rather than suspense and heartbreak. 

Appelt is a literary writer and her style is an important part of the reading experience.  It's the kind of style you either like or you don't. This is a meandering story, which moves backwards and forwards in time and follows many different points of view.  The pacing is leisurely. The imagery is skilled and poetic.  This is not a book to race through, but a book to wander with and enjoy.  However, Appelt is not one to let her wanderings lead nowhere--she knows exactly where she is taking us.  She is taking us into the heart of family, into the heart of belonging.

Keeper is a ten-year-old girl having a bad day before a blue moon.  The problem is, blue moon days are rare and special, and the people Keeper loves most in the world have had dreams and wishes centered around this particular blue moon.  Signe wants to make her seductive blue moon crab gumbo.  Dogie wants to sing "marry me" to Signe.  Mr. Beauchamp wants to see his mysterious lost love, Jack, one last time.  But Keeper has ruined the gumbo, burned the gumbo pot, broken the ukelele and let the dog destroy Mr. Beauchamp's night-blooming cyrus.  Overwhelmed by her problems, Keeper decides to take a boat out to the sandbar at night to meet Meggie Marie, her mermaid mother, in hopes that a mother's love can help her solve her problems.  But in the dark of the night, Keeper's small boat is swept out to sea and she loses an oar.  There are no mermaids sparkling around the sandbar.  And despite the blue moon shining in the sky, Keeper can no longer find her way home. 

This is the kind of story where we experience loss only so we can also experience the joy of being found.   By the end of the story, Keeper has found her true mother, Dogie and Signe have found what they mean to each other, and Mr. Beauchamp...well, what he finds is most miraculous at all. I have to say that I took great pleasure in how matter-of-factly Appelt has woven the romance of these two old men, one with "wrinkles upon wrinkles" and one "as old as barnacles",  into her tale of inclusion.  The image of Mr. Beauchamp and Jacques de Mer holding hands was, for me,  one of the loveliest in this whole lovely story.

The Book of Everything by Guus Kuijer

"Come on, love.  Come and join us", Thomas whispered.
"What did you say?" asked a familiar voice.
Thomas couldn't keep his eyes open, he was so sleepy.
"I said, 'Come on, love, come and join us,'" he murmured.
"Okay", said Jesus.  The Lord sat down on the edge of Thomas's bed. 

 This little book came out a few years ago, and I thought it was wonderful.  Every few years I start to wonder if it really is as good as I remember it, and I spend some time curled up with it again.  Yes, it is just as good.   

The Book of Everything was originally published in the Netherlands, where Guus Kuijer is a well established writer. I think it's one of the best examples of magic realism in children's fiction I've ever seen.  The mood Kuijer conjures up is hard to describe--the themes are shadowy and threatening, and Thomas, our child protagonist,  is very innocent, so we  feel protective of him.  At the same time, there are some  fiesty, powerful characters, like Aunt Pie and Mrs. van Amersfoort, who champion the side of right. There's a sense of  wonder and even humour at the unexpected occurances in the story, and just a hint of awe at the glimpses of the Divine we are privileged to see through Thomas's eyes.  This is a story where the biblical merges with the supernatural to unusual and beautiful effect.  As Patrice Kindl said, "this book glows". 

The Book of Everything is about the disconnection that can occur between God and religion.  It's about the pain that can hide in the heart of families living with abuse, the pain that mirrors the darkness of the world.  It's also about bravery and the secret of happiness.  It's about miracles and witchcraft.  But most of all, it's about Thomas, a young boy who sees things no one else can see,  a boy who wants to be happy when he grows up.  A boy who all the angels in heaven are hopelessly in love with.  And probably a few readers too.

Revolver by Marcus Sedgwick

"One must not put a loaded rifle on the stage if no one is thinking of firing it."
Anton Chekov


"My mother's children are not murderers."
 Sig Andersson, Revolver

I'm really interested in the first lines of books.  I think a strong first line sets the tone for the whole story, and I actually have a little collection in my head of favourite first lines of novels.  Revolver opens with a one-line paragraph:  "Even the dead tell stories."  This book had me at the first sentence.

Revolver is the best frontier novel I've ever read.  It's stunning, really.  It reads like the kind of book that's been polished and pared down again and again and again until there is nothing left but the pure crackling light of the story.  Every word counts.  Chapters begin with the shortest of sentences.  "How things unwind." ,  for example.  Yet despite it's spare frame it features a dramatically tense plot, an almost visceral sense of place and time, and beautiful characterization.  At the heart of this intelligent book is the working out of an implacable ethical question:  is it right to shoot another to save oneself?  

Revolver is alternatingly set in 1910 in Giron, a small Swedish settlement north of the Arctic circle, and Nome, Alaska, in the late 1800s (the gold rush period).  Sig Andersson, a young man living with his father, stepmother, and older sister in Giron, has just discovered the icy corpse of his father, who had fallen partway through the ice while driving over a lake by dogsled.  The lake Einar himself has warned his son never to cross.   Sig's sister and stepmother leave to get help from neighbours who live miles away, and Sig is left alone in the cabin with his thoughts and his father's frozen corpse.  But then a stranger breaks in, a man who claims that Sig's father had cheated him out of a fortune in gold.  The stranger wants the gold back, and he has a gun. 

Revolver is really so perfectly plotted that I don't want to spoil the story for anyone.  But the decision Sig must eventually make is whether to accept the practical philosophy of his father (" 'A gun is not a weapon"' Einar once said to Sig. 'It's an answer.  It's an answer to the questions life throws at you when there's no one around to help.") or the ideals of his mother, a devoted Christian who believed in nonviolence and forgiveness.   His very survival depends on what he chooses, and Sedgwick makes us feel the weight of that all the way through this gripping story.